top of page

AUDITION FOR
LOVE'S LABOR'S LOST

Fenix Theatre Company proudly announces auditions for our 2024 Summer Shakespeare in the Park Production:

 

LOVE’S LABOR’S LOST

directed by Katelyn Manfre

 

Production details:

The production runs July 11-Aug 4 on Thursday, Friday and Saturday evenings (3rd weekend runs Wed-Fri; Rain dates 7/21 & 8/4).

Rehearsals will begin in late April/early May.

Peformances in Deering Oaks Park, Portland Maine.

All roles are paid a stipend of $599.

 

Auditions for LOVE’S LABOR’S LOST will be held:

Saturday February 10th & Sunday February 11th from 12-4pm

at the Portland Ovations Office (120 Exchange St, Suite 110).

To schedule an audition, please email info@fenixtheatre.com with your headshot, resume, and roles of interest. We will do our best to accomodate your preferred date/time. You will be asked to list all possible conflicts at the time of your audition.  

 

Casting breakdown for LOVE’S LABOR’S LOST:

Fenix is committed to inclusive casting and providing a safe, welcoming artistic work environment; actors of all ethicities, abilities, and gender identities are encouraged to audition. Character pronouns are given as a point of reference. Seeking Non-Equity actors (18+) for the following roles:

 

  • KING of Navarre (He/Him)

  • BEROWNE (He/Him), a Lord attending on the King

  • DUMAINE (He/Him), a Lord attending on the King; also doubles as DON ARMADO, a Spanish knight (he/him)

  • LONGAVILLE (He/Him); a Lord attending on the King, also doubles as BOYET, a Lord attending on the Princess (he/him) and NATHANIEL, the parson (he/him)

  • PRINCESS of France (She/Her)

  • ROSALINE (She/Her), a Lady attending on the Princess; also doubles as COSTARD, the Clown (he/him)

  • KATHERINE (She/Her), a Lady attending on the Princess; also doubles as JAQUENETTA, a young woman of the town (she/her)

  • MARIA (She/Her), a Lady attending on the Princess; also doubles as MOTE, Armado's page (any pronouns) and HOLOFERNES the Schoolmaster (he/him)

 

Auditions will consist of reading from sides which will be provided upon audition slot confirmation. While not required, we encourage actors who can sing and/or play an instrument to come prepared with a short bit of music (no more than 1 minute); a cappella or self-accompanied (there is a piano in the audition space).

 

Please email info@fenixtheatre.com to submit and/or with any questions.

bottom of page